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THEATRE BLIND AND CONVENTIONAL


TWO WAYS TO FEEL THE CULTUR A

culture knows no bounds. Is large, diverse, and there pro ducts for all tastes. In the theater, either. Most of us when he thinks of theater, imagine a stage, actors, people, colors, voices, lights, seats. Relate the pleasure of watching a good script with the main view and then with the rest of the senses. But in 1991, comes in Cordoba hand Sued Ricardo, who was inspired by the techniques of Zen meditation performed in complete darkness, a different form of expression. A particular way of feeling: BLIND THEATER.

While in Buenos Aires there are about 5 different grup you who produce this type of work with a cast mostly blind, on the other hand there are hundreds of conventional theater l provided under commercial and office daily and represent a clear competition. The difference is remarkable because the technique of blind theater not yet fulfilled or twenty years conventional theater dates back to the V a. c during the classical age of Greece. Many times the usual, traditional, heavy on the new and different that is relegated. But this is not the case. We are in an important phase of social inclusion, equality and this is highlighted in the culture.

Differences and similarities between conventional and blind theater, apart from s year-old who owns each cultural industry, there are many. While in the conventional viewer it safe, you know how actors are going to find, what is the plot, it relegates the ability

imagine

and fly beyond what your eyes let you see, observe the physical characteristics of the actors and the public, know who is sitting next to him, he knows who is speaking on the work and who is not located in space actors The scene physical, can comment on the lighting of the play, the costumes of the artists, if the set is interesting or not, in the dark theater is all quite the opposite.

D ince the beginning of spectators entering the dark, in groups of 10 and formed row. Entering an unfamiliar place, they see not, and walk with fear of falling, to the new. Follow the signs to the players themselves, who are the guides to reach the seat, you do not know how to the completion of work. The public has no insurance, to know if you leave satisfied after s have paid an entry that is from thirty to fifty dollars depending on the work, not "see" anything.

But the experience is different, deeper, even superior. Perhaps one is lost in not seeing popular actors enjoy a scenery, you can see the costumes that make the show. But in the theater blind, they make many other valuable things. The faces of the actors, their clothes, their physical appearance, let it be important. The place happens to have multiple forms depending on each viewer and the actors vary in age, weight and height, according to the mind of every person who remains sitting in the dark, feeling all

blind actress Mirna Gamarra, a member of the work The desert island since 2007, appreciates the opportunity to act and live the experience tells how:

The view is relegated and even forgotten for a while, while they become protagonists smell and hearing, and ultimately, touching. The feeling of traveling, to be creating landscapes, places, smells, objects and people at the same time, is constant throughout the work. The desert island, one of the most successful works in the dark in Argentina, which had both Friday and Saturday Konex Cultural City, is a show that has all the virtues of this new technique.
The director, Jose Menchaca summarizes briefly the main features of its work:

the past five years, the theater has grown blind surprising in Buenos Aires. More and more people who choose not to see and feel. The ninety places that are available Konex Cultural City are engaged in the four functions that are offered on weekends. Despite being a new way to experience the culture, we can say that is booming because there are other works such as A blind with light, all sounds, Lights of Liberty, Dream elephants, among others, reaffirming its overwhelming success, this new genre art growing.


theater director from the group essentially blind, Karen Torres, said that a blind actor may even have more than a conventional artistic terms:



On the other hand, each more people willing to give the possibility to a blind person to act (and make it as good or better than an actor without a disability) ever work between blind and sighted actors becomes more solid and enjoyable, as darkness having difficulty completing all uniting more and that the public feels.