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The origin of the macabre

fears and terror that Edgar Allan Poe , a pioneer of science fiction and detective fiction, delighted in his stories were inspired by himself. In its ongoing debate between madness and lucidity posterity could take form of whatever he wrote. The difficult years of her childhood, her stormy dawn of life, made him a creature frail and vulnerable, hypersensitive to capture the sinister and dark around the man and knocked over the role. He said of himself: " Many times I thought I could plainly hear the sound of darkness creeping over the horizon ."

Poe was born in Boston, USA, January 19, 1809. Son of a pair of traveling players, his father, David Poe, tuberculosis and alcoholic, died shortly after birth, leaving his mother Elizabeth, consumptive also in charge of three young children. Immersed in total poverty, left with a theater company to South America. On December 26, 1811 his mother died and left his children orphans and destitute. That day he met Poe's partner chased him forever: death. According to the writer I. Sanguinetti G, is at that precise moment when "his mother start a gallery of women languishing and dying and love will find throughout your life and somehow influence the creation of their young heroines: beautiful, delicate and hopelessly doomed. "

Poe was adopted by a wealthy merchant and planter from Virginia, John Allan, who allowed his great education. In 1815, he traveled with his new family to England, where images of neighborhoods hidden and mysterious, full of mist and old houses, struck on the head of the sensitive child and marked his early taste for the macabre. In February , 1826, he joined the University of Virginia, at the Faculty of Modern and Classical Languages. It was at that time was served alcohol hopelessly and drugs (opium and laudanum). Repeatedly stated that he drank to escape reality, to escape memories that tortured him, " of loneliness, the fear of impending doom " but also did so when everything was stable. No wonder he was a victim of alcohol, as his father and grandfather also were. Its debts for the game, his alcoholism and rebellious behavior led to John Allan refused to keep it there. On 24 March 1827, Poe decided to leave her adoptive family and embarked on a life erratic lonely and miserable.

Its existence was spent by cities like New York, Philadelphia, Baltimore, where he worked at small newspapers to survive and increasingly dominated him over the drink. Peter Ackroyd, author of the biography Poe, wrote: " His marriage in 1835 with his cousin, Virginia Clemm, we provided certain stability, and although the bride was only 13 at the time of linking, lived in harmony for a decade, always pursued by economic hardship. Poe was publishing poems, stories and book reviews that earned him some notoriety, but his balance fell apart when Virginia became ill with tuberculosis . "

After Virginia's death, Poe was given to individual women, as well as delirium and alcohol, which came to haunt him. On October 3, 1849 was found in an alley in Baltimore, a few meters from a pub, drunk, half-conscious, talking loudly to imaginary beings. He died on 7 October. His last words were: " What God help my poor soul." Nobody went to his funeral. His death went completely unnoticed. Nobody knew that drunk's death meant the loss of one of the brightest minds in the literature of all time.

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INTERVIEW

Hugo Arana, actor

"Hopefully this new Act of me God to allow open m ore the game "

The Successful Pells bad and a landmark in the entertainment world, express their views without mincing words about the new Media Law, gives his views on the absence of fiction in broadcast television and relates that means doing the work of Baraka ro teat with the same cast of The Musketeers.

"Someday human history no longer monopolized s er, no monopoly in small groups but by the international banking , which is what dominates everything, "says the actor film, theater and television Hugo Arana , expressing their deep desire for change from the new Act Audiovisual Communication Services.

Arana is one of the protagonists of Baraka , work after his indisputable success in Argentina and Latin America, returns to win in London and Barcelona, \u200b\u200balong with actors Dario Grandinetti, Juan Leyrado and Jorge Marrale. "It is a very well written, and obviously it shows in the audience, in greeting. People of all ages , stand and clap with joy "of scribe Arana adding that" it is a work that covers a spectrum old and very large problems, so it wonderfully acted. "

More than 40 years of experience in film, theater and television, proudly wears on his back, and the role of uncontested triumphs as Weddings and more , The truce , The successful Pells and Para vestir santos, make this such a wonderful actor as humble, in a subject with the word than authorized to give his view on various topics.

Regarding the absence of programs on television sketches Argentina, Arana thinks the world of fiction going along roads and on that basis that "there are genres that can sometimes be worth in a given time and others may get to spend with the passage of time. " But despite that, it recognizes that gender missing humorous air on television, you would like to be re-done sketch program and assumes that "there a richer material than seen." Arana says from his place, which "as a people, history, with their hopes and tragedies, we have more complex material shown."

"Hopefully, this new media law allows open up the game," muses the actor. And from the soul expresses its fill of that in consequence of the existence of market monopolies information, "only three or four skulls are owners of the fate of thousands and millions."

Here is (for those who saw him laughing with him again and for those who never knew him, was given the choice) to the legendary character "Hugo Spider's Wedding and more

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A classic political

Operation Slaughter, a classic book Argentina literature and investigative journalism. A milestone in the rejection of concealment and ignorance

The book Operation Slaughter, the journalist and writer Rodolfo Walsh describes chronologically the events of July 9, 1956, when the police , during the military dictatorship of General Aramburu , Kidnapped and shot Nicolas Carranza, Francisco Gariboti, Vicente Rodriguez, Carlos Mario Lizaso and Brion, in a midden José León Suárez. The victims managed to escape were: Juan Carlos Livraga, Miguel Angel Giunta, Horacio Di Chiana, Juan Carlos Torres, Julio Troxler, Reinaldo Benavidez, Gavino Rogelio Norberto Diaz. The testimonies of survivors led Walsh to initiate an investigation of that case, which culminated in a classic of political literature in Argentina.

The June 9, 1956 the General Raúl Tanco and Juan José Valle revolted by a counter-coup the dictatorship of the "Liberating Revolution", but failed. In José León Suárez dumps were shot several civilians, suspected of being complicit in the revolt. A few months later, Walsh learned that there were several survivors of the massacre.

" That's the story I write hot and yanked " said Walsh. In Operation Slaughter, writer left nothing to chance, all the personal information: names, places, dates, times, situations, documents and testimony of all involved, the families of victims, survivors themselves and those responsible for the shootings, to reconstruct the events of that night and Walsh journalistic research.

Slaughter Operation shows that only a few of these civilians were vaguely related to the uprising, the rest not know about and were shot, or tried, before delivery of the martial law. " The liberation and democratic Argentina June 1956 had nothing to envy Nazi hell," said Rodolfo Walsh wrote himself, as reasons for his research in a hostile and violent social context, because Walsh was not "a movie hero, but simply a man who comes to life, and that's just a movie hero." To date, the slaughter goes unpunished.

July Troxler returns to the scene of the shootings and relive that night